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ED'S PLACE: A Memoir by Mary Bergan Blanchard

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    I was 13 when that version came out, and I loved dancing to it even as what they had done to the song itself unnerved me. Rosie Clooney. Ella Fitzgerald. Tony Bennett. And even Elvis. It would make my mother boil; not a meal—nay, not even a cup of coffee—was offered in that tiny house on a hill where they lived when I was a child, my mother would say, seething. My Aunt Niel, too, perfectly—exquisitely, really, for she looked like a model—put together in the simplest of pieces: a long slim skirt, a sleeveless white blouse, a stylish coat or shoulder bag making it an outfit, the whole greater than the sum of its parts.

    Or later, when she left Troy with her husband, an engineer who worked on construction projects throughout the country, and would send to us paintings she had done in oil. One was of my sister as a little girl seated on a hassock; many were of fruits and flowers. My aunt had clipped articles about the way Jackie dressed, and had decorated and entertained in the White House.

    I could see my way clear from this pattern of visual artistry to the flat on Second Street in South Troy where my father had, long ago, composed the poems that I found after his death. He had placed them in a beautiful but now tattered leather-and-cloth portfolio. There were about two dozen, dating to , when he had graduated that January from high school graduations back then were in January and June. It was dated March 17, My Uncle Briggy—my godfather—had been groomed by my grandfather because he was the oldest to become a doctor, and in doing so, lift the fortunes of the family.

    But Briggy played an instrument: the guitar. His instrument was the banjo.

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