Hostages to Fortune V1


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This volume is a reprint of the Shakespeare Head Press edition, and it presents all the plays in chronological order in which they were written. I love a wellbound book and this is certainly a showpiece on my bookcase. It is a bit heavy to actually read but is a must have for any book lover Read full review. The picture on the internet was so deceiving. It looked like a plain covered book.

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It was purchased as a Christmas present for our son. When the book came to our house I was so pleasantly surprised at Read full review. William Shakespeare, - Although there are many myths and mysteries surrounding William Shakespeare, a great deal is actually known about his life. He was born in Stratford-Upon-Avon, son of John Shakespeare, a prosperous merchant and local politician and Mary Arden, who had the wealth to send their oldest son to Stratford Grammar School.

At 18, Shakespeare married Anne Hathaway, the year-old daughter of a local farmer, and they had their first daughter six months later. He probably developed an interest in theatre by watching plays performed by traveling players in Stratford while still in his youth. Some time before , he left his family to take up residence in London, where he began acting and writing plays and poetry.

By Shakespeare had become a member and part owner of an acting company called The Lord Chamberlain's Men, where he soon became the company's principal playwright. His plays enjoyed great popularity and high critical acclaim in the newly built Globe Theatre. It was through his popularity that the troupe gained the attention of the new king, James I, who appointed them the King's Players in Before retiring to Stratford in , after the Globe burned down, he wrote more than three dozen plays that we are sure of and more than sonnets.

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He was celebrated by Ben Jonson, one of the leading playwrights of the day, as a writer who would be "not for an age, but for all time," a prediction that has proved to be true. Today, Shakespeare towers over all other English writers and has few rivals in any language. His genius and creativity continue to astound scholars, and his plays continue to delight audiences.


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Many have served as the basis for operas, ballets, musical compositions, and films. Men died from time to time, and worms did eat them, but not for love. The feudal aristocracies give way to a capitalist bourgeoisie willing to pay, often dearly, for the luxuries of romantic love. Marriage is still a property market, but family is no longer the fate of nations. In proportion as manners and laws become more democratic, the relation of father and son becomes more intimate and more affectionate; rules and authority are less talked of; confidence and tenderness are oftentimes increased, and it would seem that the natural bond is drawn closer in proportion as the social bond is loosened….

It is not then by interest, but by common associations and by the free sympathy of opinion and of taste that democracy unites brothers to each other. It divides their inheritance, but it allows their hearts and minds to mingle together…while it places the various members of the community more widely apart.

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How could they not be? He regards America as an experiment newly emerging from the wilderness, its virgin soil unburdened with castles and coats of arms. T he Hollywood movies of the s place the product in the romantic landscapes of the frontier West. Father and son, mother and daughter draw closer in their common effort to plant the corn, feed the horse, count the chickens, sing the hymn, survive the winter. The social bond loosens in its tie to distant government but strengthens in its adherence to a near community of friends, neighbors, and fellow countrymen.

Their feeling for one another they express as the companionable virtues—forbearance, trust, patience, forgiveness—values also highly prized by lying real-estate salesmen and thieving politicians. So have they continued to remain despite the events of the last sixty years having demonstrated to the viewing audience that father no longer knows best. Not the kind of citizens apt to run amok on the road to revolution.

Folks with bills to pay and a credit rating to maintain, mindful of surveillance cameras, dependent on the grace and favor of the executive in charge of human resources, loaded down with more and heavier debt than can be towed quietly out of town by even the sturdiest pickup truck on sale from General Motors. Petit Palais, Paris. The message is upbeat and bipartisan, as certain of an applause moment for President Obama as it is for Rick Perry. Better yet and best of all, the message is backed with the full faith and credit of the corporate sponsors.

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The advertising that supports the TV news—for the Olive Garden, Home Depot, or the iPhone—comes fully equipped with the images of a loving dad, a caring mom, a contented child, and a playful pet. It matters not if dad is a serial killer, mom is gay, the pet an aardvark or a snake. What matters is the substitution of sentiment for power.


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Let the natural bonds draw closer as the social bond is loosened, and our monied classes remove the obstacle of having to provide for interests other than their own. The bait and switch is the virtual reality serving as stunt double for the reality, or, to put it bluntly, in a rough translation from the late-eighteenth-century French, let them eat videotape. Rejoice in the things of the spirit. Welcome to the nursery where everybody is still a child. Nor are they meant to.

Lewis H. To understand our histories we have to narrate our catastrophes. Kantian child-rearing, explained. Related Reads.

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